BOSTON GLOBE - Celebrity Series announces 2014-15 season

...The Juilliard String Quartet makes its first appearance since 2005, having replaced two members in the interim; they’ll play music of Webern, Berg, and Schubert (Oct. 18). Also appearing in a new configuration is the Emerson String Quartet, with a program that includes a new piece by Lowell Liebermann, a Celebrity Series co-commission (Jan. 22). The Calder Quartet brings one of its specialties — Thomas Adès’s “Arcadiana” — and a local premiere by Andrew Norman to Jordan Hall on Feb. 20...Download PDF | Full Article

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LOS ANGELES TIMES - Review: The L.A. Phil's Minimalism marathon

Reich's "Different Trains," the composer's autobiographical string quartet accompanied by recorded voices of train conductors from his boyhood of shuttling between the East Coast and the West at the same time other Jewish boys on trains in Europe were headed to a horrifically dissimilar fate. It was played by the Calder Quartet with an engrossingly rich tone and rhythmic acuity that revealed what may be an overlooked Minimalist root in the Eastern European folk-inspired music of Bartók and Janácek.Download PDF | Full Article

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LA TIMES - HERO COMPLEX - ‘Da Vinci’s Demons’ composer Bear McCreary scores with Calder Quartet

As a classical-music ensemble with a sterling critical reputation and a flair for the contemporary, the Los Angeles-based Calder Quartet is used to playing at some of  the most prestigious concert venues around the world.On a recent winter morning, however, the musicians were in a modest studio in a not-so-glamorous stretch of Glendale dominated by shabby industrial warehouses. Passing freight trains emitted a repetitive ka-chink as they moved through the area on rusty tracks.Inside, a rhythm of a different sort was at play. The quartet was recording (and re-recording… and re-recording) a staccato passage for the soundtrack of the Starz drama series “Da Vinci’s Demons.”Download PDF | Full Article

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SANTA BARBARA INDEPENDENT - Calder Quartet Comes to Hahn Hall

Beyond the bold athleticism of the Bill T. Jones/Arnie Zane Dance Co. performance last October, there was one additional wonder that night — the fact that the soundtrack was no soundtrack at all. The evening’s live string players included the Los Angeles–based Calder Quartet, four men who bonded during their time at USC and 15 years hence have charted an impressive and adventurous résumé. By all indications, Calder appears to be the representative quartet for the 21st century; they’re young, flexible, open-minded, deeply dedicated to the tradition, and irresistibly drawn to the new...Download PDF | Full Article

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SAN JOSE MERCURY NEWS - Best of 2013 classical

Anne-Marie McDermott, Calder Quartet, "Mozart: Piano Concertos K. 414, 415, 449" (Bridge): Mozart was a practical fellow, suggesting that these orchestral pieces might easily be performed as chamber works, with just pianist and string quartet. And here they are in their rarely heard chamber versions. These intimate performances are evocative: One feels the play of shadow and light, the gladness, the sense of wistfulness and loss, like an afternoon of sweet rain.Download PDF | Full Article

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LOS ANGELES TIMES - Grammys: L.A. Phil and Esa-Pekka Salonen among classical nominees

...Cheng, another previous Grammy winner, is, like Josefowicz, nominated for best classical instrumental solo. The pianist’s recording, “The Edge of Light,” features appropriately luminous solo performances of works by Messiaen and Kaija Saariaho. Los Angeles’ Calder Quartet makes an appearance as well in piano quintet pieces by both composers...Download PDF | Full Article

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SPIN MAGAZINE - David Longstreth to Play Bartok, Dirty Projectors With Calder Quartet

The constituent parts of Dirty Projectors have been staying busy on their own of late. Amber Coffman, of course, is the bewitching voice on Major Lazer's still-excellent "Get Free." We saw Olga Bell play dress-up and take the lead in the video for Nothankyou's "Oyster." And Nat Baldwin also recently shared shared some solo material of his own — the collection Dome Branches which included "Look She Said" featuring DPs mastermind David Longstreth. Now, Pitchfork reports that Longstreth will be appearing at New York's Metropolitan Museum of Art on November 1.While he won't be accompanied by his band, the man will hardly be alone. The Calder Quartet, who've accompanied everyone from the National to Airborne Toxic Event to Vampire Weekend, will join Longstreth as part of the Bartók Quartet Cycle series. The group is set to perform the music of Béla Bartók, plus new original work and new takes on Dirty Projectors favorites rearranged by Longstreth. The DPs boss has been known for his liberal interpretations of others' songs in the past (i.e. Black Flag via Rise Above), so expect the pleasantly unexpected.Full Article

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PITCHFORK - Dirty Projectors' Dave Longstreth to Debut New Music With String Quartet at the Met

On November 1, Dirty Projectors guitarist and vocalist Dave Longstreth will take part in an event as part of the Bartók Quartet Cycle series at New York's Metropolitan Museum of Art. Longstreth and the Calder Quartet will perform new work as well as new arrangements of Dirty Projectors music. They'll also perform music by Béla Bartók with new arrangements by Longstreth.Full Article

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NEW YORKER - Metropolitan Museum: CALDER QUARTET BARTÓK CYCLE

Oct. 12 at 7: The young, Los Angeles-based Calder Quartet, which plays the classics with as much conviction as it does contemporary fare, begins a three-concert fall series that mixes the string quartets of Bartók (here, the Quartets Nos. 1 and 5) with modern works (such as Peter Eötvös’s “Correspondence,” inspired by the letters of Leopold Mozart and his famous son). (Fifth Ave. at 82nd St. 212-570-3949.)Download PDF

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MINNESOTA PUBLIC RADIO - New Classical Tracks: Anne-Marie McDermott & the Calder Quartet

Pianist Ann-Marie McDermott has long dreamed of recording a Mozart album. As a result, she had very definite ideas of the sound she was looking for when she recorded her latest album, Mozart: Piano Concertos."I would say the most important quality I wanted to capture in recording Mozart was the living dynamic joy of this repertoire. I didn't want it to sound like we had sat in a recording studio for three days and tried to make everything perfect. Of course that's what we did. But I wanted to make sure we were able to capture the spontaneity of this music and the joy and the sparkle."Download PDF | Full Article

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